Monday, May 26, 2014

Great Interview introducing Mana Museum of Urban Arts


We couldn't be more proud and excited for Joe Iurato and Logan Hicks.  They are great friends of Jerry's Artist Outlet.  To check out some of their great art - click their names for links.



The new

The new Mana Museum of Urban Arts, which is expected to open in September 2014. 
(all images courtesy Mana Contemporary)

This week, Jersey City’s Mana Contemporary made the surprise announcement that they will be creating a street art and graffiti museum in a 100,000-square-foot former ice factory near the Holland Tunnel entrance. Founded by Eugene Lemay, founder and director of Mana Contemporary, the museum — touted as the first permanent museum of its kind — has enlisted street artists Logan Hicks and Joe Iurato to curate the programming. Construction is slated to begin next month and they hope to open the doors of the renovated factory space by September. I had a few questions for Lemay about this big mysterious news and what we should expect.
*    *    *
Hrag Vartanian: Why a graffiti and street art museum?
Eugene Lemay: The museum will deal with more than graffiti and street art. We will include all kinds of artwork that respond to the urban environment. Mana Contemporary’s main mission is to be a creative community for all forms of art – we have 110 artists studios (and growing), a contemporary dance studio, a theater, more than eight nonprofit exhibition spaces dedicated to visual art, a foundry, a silkscreen print studio, the Richard Meier Model Museum, artist residency programs, a 50,000-square-foot Glass Gallery, and in the near future we are adding music and performing art programming, education programs, and a sculpture park. So a street art museum is a natural direction for us.
HV: How would you respond to people to think institutionalizing graffiti and street art like this destroys the power of the work?
EL: This sounds to me like a question coming from a place of fear. The idea is not to institutionalize the artwork, but to create a platform for learning about its rich history, increase accessibility, and build a gathering place.
HV: Will the museum allow graffiti and street art on the facade of the museum?
EL: Yes, we will have both curated work on the exterior and interior of the building and additional walls for anyone in the community of all ages to create work on.
HV: Who or what is funding the initiative?
EL: Mana Contemporary is providing the funding.
HV: What is currently in the permanent collection? And will it have a geographic, medium, or other focus?
EL: We have work by major artists and historical documents, and we will announce the details closer to the fall opening.
HV: What is your own background in the field?
EL: I am not a street artist. I am a visual artist working in digital printing and sculpture. However, my work does deal with the written language as an ongoing narrative. I also have 20-plus years experience running businesses. That is why I have brought on artists to help lead the programming — Mana is all about giving artists strong curatorial and leadership roles.
HV: What do you think the museum will contribute to the wider conversation about graffiti and street art?
EL: We hope the programming will encourage a deeper understanding and appreciation for this ephemeral medium. We hope to become a destination for the community. We look forward to lively conversations surrounding this art form’s role in history, and how it can affect and inform the environment.
HV: Will the museum fund art historical research in the field?
EL: Yes we are working with experts who have documented the urban art movement. Again, details will be released closer to the fall opening.

Wednesday, May 21, 2014

Why We're Special - NEW! GOLDEN QOR WATERCOLORS!





GOLDEN ARTIST COLORS LAUNCHES QoR MODERN WATERCOLORS!
Golden Artist Colors Launches QoR™ Modern Watercolor
The First New Thing to Happen to Watercolor in 150 Years
– Columbus, NY, April 30, 2014
Golden Artist Colors Launches QoR™ Modern Watercolors
Golden Artist Colors introduces QoR™, a new line of watercolors that offers artists color strength, range and versatility unmatched in the history of watercolors. QoR's exclusive binder gives color greater intensity and clarity, while retaining the best qualities of traditional watercolors.
"At Golden Artist Colors we've had the privilege and delight of collaborating with artists to make the highest quality professional Acrylic and Oil colors," said CEO, Mark Golden. "Today that same collaborative process has produced a new, thoroughly modern Watercolor called QoR. Some of the country's most respected watercolor artists were given the opportunity to get a sneak peek at QoR and put it through its paces. We've been delighted with the feedback they've given us and look forward to hearing from more artists once QoR is available in stores this May."
The unique formulation of QoR Watercolors accentuates the luminosity and brilliance of pigments even after drying. QoR provides the subtlety, transparency and flow of a great watercolor, with colors that have as much vibrancy and fire as the best acrylic or oil paint.
QoR (pronounced 'core'), has been formulated to embody the essence of watercolors and also comes from a technical acronym meaning Quality of Results. Unique QoR qualities:
  • Incredibly smooth transitions
  • Flows well, maintaining liveliness on paper
  • Excellent resolubility in water
  • Excellent glazing qualities
  • Vivid depth of color in one stroke
  • Greater resistance to embrittlement
  • More density of color than traditional watercolors
  • New watercolor Grounds & Mediums
  • Easy clean-up
  • Exclusive Aquazol® binder used in conservation
Artists can choose from 83 high-intensity colors, including three Iridescent colors. By utilizing QoR Mediums and Grounds, artists can increase gloss, improve flow or wetting and achieve different textured surfaces, expanding the range and possibilities of watercolor painting.

Thursday, May 8, 2014

Do you Sketch?



       Do you sketch? Do you like great paper? 
   Fabriano - EcoQua wants you to share your art!
 

A celebration of Fabriano’s 750th anniversary!
Artists, scientists, poets, scholars, dreamers and doodlers alike—creative people of all stripes—are celebrating the 750th anniversary of Fabriano, the iconic Italian paper maker. Join our MyEcoQua celebration, and you might win a free Fabriano gift. Just share a sample of how you express yourself with Fabriano paper. Entries will stream through the Instagram montage below and our Facebook page to thousands in our creative community. Post your sample to #myecoqua and win gifts from Fabriano. https://www.facebook.com/pages/Savoir-Faire/79051781183?id=79051781183&sk=app_451684954848385

Friday, April 25, 2014

Supracolor Aquarelle Pencils



Supracolor Aquarelle Watercolor Pencils
Supracolor Aquarelle Pencils by Caran d’Ache are professional-quality, watersoluble colored pencils. They are made in Switzerland to exacting standards of artists and illustrators. These pencils can be used wet or dry for unlimited possibilities. 
 
Caran D'ache Supracolor Pencils are available 
individually or in sets.

Free Fabriano EcoQua Products






The iconic Italian paper maker Fabriano turns 750 years old this year. To celebrate, we're giving away Fabriano EcoQua products throughout 2014 during our #myecoqua event. It's fun to enter, and easy to win..


Friday, April 4, 2014

What's up with the shortage of Kolinsky Sable Brushes

Sables Brushes
all ON SALE April, 2014 
UP TO 60% OFF LIST PRICES!

Kolinsky Sable Brushes

 

Many of our customers have become enamored with Kolinsky Sable Brushes - and for good reason!  So, we're offering a link for you to read - that comes from our International Art Materials Association.  It will explain the problems that have created the shortage.   
Please be aware that this is simply to educate you.  
The NAMTA Organization will not entertain any 
emails or inquiries from customers.

We hope this answers some of your questions:

Wednesday, March 19, 2014

The Story Behind MONUMENTS MEN (the movie)





From a fairy tale-inspiring castle in the Bavarian Alps to a serene sculpture of Mary and Jesus by Michelangelo tucked away in a Belgian church, sites and works of art across Europe can give travelers a glimpse of the heroic work done by the group depicted in the new movie "The Monuments Men."
The group's mission was to save cultural treasures during World War II. And just like the group's previously unsung accomplishments, many of the places and objects they saved have been "hidden in plain sight" for decades, said Robert Edsel, the Dallas-based author of the book "The Monuments Men," which inspired the movie starring George Clooney, Matt Damon and others.
Edsel talked about a few of the many places and artworks in Europe tied to the work of the 350 men and women from Allied countries, most of them already established as architects, artists, curators and museum directors when they reported for duty. Eventually, they returned more than five million cultural items stolen by the Nazis as part of a systematic looting operation.
WORKS OF ART IN BELGIUM AND THE AUSTRIAN SALT MINE WHERE THEY WERE HIDDEN
Visitors to the canal-lined, storybook town of Bruges, Belgium, may look in in awe at Michelangelo's marble sculpture "Madonna and Child" in the Church of Our Lady, but few know of its harrowing wartime journey. Taken from the church by German officers in 1944, the sculpture was eventually discovered by Monuments Men on a dirty mattress in a salt mine near Altaussee in Austria.
In the town of Ghent, not far from Bruges, visitors at Saint Bavo Cathedral can gaze at another work that was discovered by Monuments Men at the Altaussee mine: the Ghent Altarpiece. Made of panels painted by Jan van Eyck in 1432, the famous work of art was taken by the Belgians to France in 1940 for safekeeping. But in 1942 it was taken by the Germans.
Tourists can also visit the Altaussee salt mine where those works — along with 6,600 paintings, 140 sculptures and other pieces — filled more than 100 tunnels. The works stored in the Austrian mine about 45 minutes from Salzburg housed treasures Adolf Hitler wanted to one day fill his planned museum in Linz, Austria.
A PARISIAN MUSEUM AND A FAMOUS VERMEER
When the Nazis took over the Jeu de Paume museum in Paris, making it the headquarters of their looting operation, French art expert Rose Valland was allowed to stay. But Valland, who unbeknownst to the Nazis spoke German, managed to keep track of where the artworks — most stolen from Jewish families in France — were being sent. She passed that information along to Monuments Man James Rorimer after the liberation of Paris, directing him to Germany's Neuschwanstein Castle. Today, a small plaque on the southwest corner of the Jeu de Paume, located near the Place de la Concorde, recognizes her bravery.
To see a work of art with a history that encapsulates the Nazi looting machine, Edsel says, gaze upon Jan Vermeer's painting "The Astronomer" at the Louvre. "If we could take it off the wall it would have a Nazi inventory code on the back," he said.
"That one picture is stolen from the Rothschilds, goes to the Jeu de Paume. It's selected for (Adolf) Hitler's museum. ... It ends up in the salt mine at Altaussee, found by the Monuments officers, returned with all these other things to France, returned to the Rothschilds, donated to the Louvre," he said.
GERMANY'S FAIRYTALE CASTLE, CEILING FRESCO BY A MASTER
Visitors flock to tour "Mad" King Ludwig's Neuschwanstein Castle, nestled in Germany's soaring Bavarian Alps with dramatic turrets rising into the sky. But during the war, the castle was the Nazi's hideaway for about 21,000 items stolen from French collectors and records of the looting.
Monuments Man John Davis Skilton arrived in the German town of Wurzburg in hopes of saving the Giovanni Battista Tiepolo's ceiling fresco "Allegory of the Planets and Continents." The fresco in the Residenz palace dating back to the 1750s was in peril: The roof above the fresco ceiling burned off during Allied bombings, leaving it exposed to the elements.
Edsel said Skilton set to figuring out how to get a roof built over the fresco as soon as possible. "He sees how precarious it is, so he finds lumber, which was no easy feat," said Edsel.
"When you go walk through the palace Residenz, in the last room that you're in, there's a small shrine to John Skilton," he said.
FLORENCE'S BRIDGES, PISA'S CAMPOSANTO
In Italy, Florence's bridges today offer a look at cultural treasures that didn't survive the war. Except for the Ponte Vecchio — the city's famous covered bridge — other bridges over the Arno were destroyed by the Nazis as they made their retreat out of Italy in 1944. Pictures from the war show people walking across the rubble that was once the bridges. Edsel says the now rebuilt bridges are "part of the altered legacy that we live with today."
Monuments Man Deane Keller's work to restore the heavily damaged Camposanto building in Pisa meant so much to him that he was buried there after his 1992 death. During the war, frescos in the ancient cemetery located near the city's Leaning Tower were damaged from a fire during a fight for the city. Keller worked with a team to salvage and save what they could.

Read more here: http://www.bradenton.com/2014/02/05/4974102/european-sites-art-tell-tales.html#storylink=cpy

Friday, March 14, 2014

Natural Hemp - Jewelry Hemp Cords & All Sized Magnets

NEW from
NATURAL HEMP AND JEWELRY CORDS       
MAGNET SRTIPS & ALL SIZED ROUNDS
  
FOR YOUR PRACTICAL PROJECTS & ALSO - JUST FOR FUN!


Thursday, March 6, 2014

Claessen's Linen Rolls are here!

Claessen's Linen Rolls

Claessens's uses the very top quality fibers to make their linens. They principally produce canvas from flax (more commonly reffered as linen). This provides the best quality and 
is the most durable.  
 
Their products are meticulously inspected. It is first checked with great care for any weaving faults. Abnormally thick threads and lumps are removed. The cloth has to be flawlessly smooth, as any unevennesses might mar your painting. The cloth is then shaved and dusted.  Any final irregularities and bits of fluff are removed by machine, and the cloth is now ready to be treated. And it's great!

Single & Double Oil Primed! 

 

Friday, February 21, 2014

WHY USE A TONED PALETTE & SURFACE?


WHY USE A TONED PALETTE?
Adapted from literature from Jack Richeson Co.

"It is said that the warm neutral color of a grey palette, shows the actual paint color & each color mix to its advantage.  The special surface of a disposable palette, aids in the mixing of the color pigments as well as the removal of paint." 
 Stephen Quiller



COLOR BASICS
There are 3 parts to color:  Hue, chroma & value.  Value is the lightness or darkness of a color.  Chroma is a measure of how pure, intense a& saturated the color is.  Hue is the name of the color - red, blue, green, or purple.

Primary colors cannot be made by mixing other colors.  Secondary colors are made by mixing a primary color with a primary color lying next to it on the color wheel.  Tertiary colors are made by mixing a primary color & a secondary color that lies next to it on the color wheel.

Adding white to a color lightens the value & also alters the color by making the color's temperature cooler & in some cases changes the color's hue.  Adding black to a color will darken the color, but will also alter the hue of the color.

A colors complement color lies directly across from it on the color wheel.  Mixing a color with it's complementary color - greys or neutralizes the color.  Placing a color's complement near it in a painting will often add visual interest.

 proudly carries

GREY MATTERS PAPER PALETTES